標題：[公告]也趣藝廊│「真實的存在 III」－台灣當代雕塑三部曲

林國瑋｜Pro-wrestling 棒槌小砰優｜銅 油彩上色｜2012

展覽 Exhibition│「真實的存在 III」－台灣當代雕塑三部曲

展期 Duration│2012. 07. 05(THU) – 2012. 07. 22 (SUN)
開幕Opening│2012. 07. 07 (SAT) 15:00

地點 Venue│也趣藝廊 AKI Gallery│台北市民族西路141號 (周一公休)
電話 Tel│02-2599-1171

聯絡 Contact │www.galleryaki.com / aki.taiwan@akigallery.com.tw

參展藝術家｜林國瑋、盧之筠

七月，也趣藝廊為您隆重介紹「真實的存在」－台灣當代雕塑三部曲最終樂章，將由林國瑋、盧之筠攜手，劃下這場雕塑聯展的精彩Ending！

真實的存在III 仰角的視界

曾幾何時，我們已無法再用往日的感受讀取今日，或許是環境使然，也或許是時間導致的轉變，在觀察現狀的模式上，林國瑋與盧之筠選擇以孩童的角度解讀，觀看他們的作品，就像站在過往的鏡子前，單純而直率的反映內心。

盧之筠的作品用一種接近殘忍的直率去訴說人類的情感，這些都被她歸屬於成人世界的現實面。盧之筠善於運用材質特性結合光線，她的作品就是舞台，小動物們正上演著一幕幕寫實的人生體會。林國瑋則將現代社會的階級型態和不公平的權力機制轉化為孩童攻擊動物的行為，環繞這個事件的人類、觀察此一行為的人類，每個都是留下的目擊者，企圖作出改變但卻力不從心，從孩童的仰角出發，盧之筠與林國瑋的作品既可愛又令人發噱。

In July, the end of “First exit existence" – Taiwan contemporary sculpture trilogy exhibitions are shown by LIN Kuo-Wei and LU Chih-Yun. Since when can we not sense the world through the way we used to have in our childhood? LIN and LU, These two artists observe society with the vision of children. Standing the front side of their works just like looking a mirror reflects our minds, purely and forthrightly.

LU Chih-Yun used to observe the world in a viewpoint of children when she creates her works, which are n a cruel straight way to express the different sides of the world of adults. These sides turn into different fairy tales, and most of the characters are animals. LIN Kuo-Wei believes that the imagery of children can also be viewed as being representative in its nature - it represents people of all ages, not just children. From two artists, children are used as a metaphor for the sense of helplessness felt by modern people living in today’s system of social classes.